000			01995nam a2200241 a 4500
001			013579
005			20231009192206.0
008			161129t19991998nyca 000 u eng d
020			_a9780865475397
082	1		_a92 WES _2
100	1		_aWilson, Charis
245	1	0	_aThrough another lens, my years with Edward Weston _c/ Charis Wilson & Wendy Madar
260			_aNew York _b: North Point Press _c, 1999 _c, c1998.
300			_a378 p. _b: illus. _c; 24 cm.
520			_aA Young woman sits naked in a doorway with her head bowed, worrying that the crooked part in her hair will ruin the photograph. The woman is Charis Wilson, it is 1936, and the man taking the picture is Edward Weston. Sixty years later, the photograph remains one of the best-known nude studies in the history of photography. Wilson was twenty-one and Weston forty-eight when they met, but the passionate twelve-year relationship between the famous photographer and the intellectual beauty was a true partnership. Wilson became not only the subject of some of Weston's best photographs but also his wife, working partner, and author of several acclaimed books that are illustrated with his work.A memoir long awaited in the arts community, Through Another Lens tells the story of the life Weston and Wilson led on the Big Sur coast from 1934 to 1946 amid a particularly American (and peculiarly Western) brand of artistic ferment among such figures as Ansel Adams, Imogen Cunningham, and Robinson Jeffers. The book features many unpublished family pictures as well as snapshots by Cunningham, Adams, Willard Van Dyke, Beaumont and Nancy Newhall, and others; of course, Weston's own extraordinary photographs are here, too, some of which have rarely been seen outside private collections.
546			_aEnglish.
600	1	4	_aWeston, Edward _d, 1886-1958
600	1	4	_aWilson, Charis _d(, 1914-)
650		4	_aPhotographers _z-United States _v--Biography
700	1		_aMadar, Wendy
942			_cMO
999			_c231996 _d231996