000			01729nam a2200241 a 4500
001			014540
005			20231009192216.0
008			140109s2013----usaa----------000-u-eng-u
082	0		_a700.9239 KAP
100	1		_aKaplan, Carla
245	1	0	_aMiss Anne in Harlem _b: the white women of the black Renaissance _c/ Carla Kaplan
260			_aNew York _b: HarperCollins Publishers _c, 2013
300			_a505 p. _b: illus. _c; 24 cm.
504			_aIncludes bibliographical references and index
505	0		_a"A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of MIss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences."
520			_aThis interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
650		4	_aWomen, white _z--New York (State) _z--New York _v--Biography
650		4	_aHarlem Renaissance _x--History
650		4	_aAfrican Americans _x--Intellectual life
650		4	_aAfrican Americans _y--20th century
651		4	_aHarlem (New York) _y--20th century _v--Intellectual life
942			_cMO
999			_c232764 _d232764