000			01334nam a2200253 a 4500
001			017717
005			20231009192251.0
008			210420s20022002gera 000 u spa d
020			_a9783822819920
082	1		_aREF 759.3 DIX _2
100	1		_aKarcher, Eva
240	1	0	_aToller Cranston Collection
245	1	0	_aDix _c/ Eva Karcher
260			_aKöln _b: Taschen _c, 2002
300			_a216 p. _b: illus. _c; 25 cm
520			_aIn the twenties, Otto Dix was the artist of Neue Sachlichkeit, the New Objectivity, par excellence. Painting in a very realistic, almost photographic style, he chose as subjects the poverty, violence, death, and war that he experienced as a soldier in World War I. After this terrible experience, he painted the famous triptych The War. Dix staged the world as a play, a grotesque farce. But the form he chose to do so was based on the classical canon of beauty. Dix lived his life and served art, for he adhered to the age-old rule that the American painter Ad Reinhardt put in a nutshell: Life is life, and art is art.
546			_aTranslated from the German to Spanish
600	1	4	_aDix, Otto _y-1891-1969 _x-Criticism and interpretation
600	1	4	_aDix, Otto _y-1891-1969
650		4	_aPainters, German _y-20th century
700	1		_aCaramés, Carlos
942			_cMO
999			_c235380 _d235380