000 | 01429pam a2200229 a 4500 | ||
---|---|---|---|
001 | 021558 | ||
005 | 20231009192452.0 | ||
008 | 110830s1987 nyu 000 0 eng | ||
010 | _a86031396 | ||
020 | _a0140586296 | ||
050 | 0 | 0 |
_aPR6058.A6943 _bA6 1987 |
082 | 0 | 0 | _a821 HAR |
100 | 1 |
_aHarrison, Tony _d, 1937- |
|
240 | 1 | 0 | _aPoems. Selections. |
245 | 1 | 0 |
_aSelected poems _c/ Tony Harrison |
250 | _a2nd ed | ||
260 |
_aLondon _b: Penguin Books _c, c1987. |
||
300 |
_a249 p. _c; 22 cm. |
||
520 | _aAt last Americans may read one of England's foremost contemporary poets. Harrison's work derives its power from the conflict between his working class roots and classical education. His style is distinguished by a penchant for rhyme that at its best is dazzling but at times merely facile. His early work features globe-trotting travelogue and flamboyant satyriasis; his in-progress sonnet-cycle, ``From the School of Eloquence,'' is more substantial. In it he pays tribute to English working class history and his own upbringing, producing several elegiac pieces for his mother and father that form the most mature, serious, and persuasive segment of his work: ``I believe life ends with death, and that is all./ You haven't both gone shopping; just the same,/ in my new black leather phone book there's your name/ and the disconnected number I still call.'' | ||
650 | 4 | _aPoetry, English | |
942 | _cMO | ||
999 |
_c238055 _d238055 |