000 02943cam a22002774a 4500
001 027385
005 20231009192522.0
008 102209s2005 txu b s001 0 eng
010 _a2004030856
020 _a9780292709782
042 _apcc
050 0 0 _aPQ7207.M48
_bP37 2005
082 0 0 _aLAS 868 PAR
100 1 _aParra, Max
245 1 0 _aWriting Pancho Villa's revolution
_b: rebels in the literary imagination of Mexico
_c/ Max Parra
250 _a1st ed.
260 _aAustin
_b: University of Texas Press
_c, 2005.
300 _ax, 185 p.
_c; 23 cm.
504 _aIncludes bibliographical references (p. [165]-178) and index.
505 0 _aThe politics of incorporation : the Calles era, 1925-1935 -- Villa and popular political subjectivity in Mariano Azuela's Los de abajo -- Reconstructing subaltern perspectives in Nellie Campobello's Cartucho -- Villismo and intellectual authority in Martín Luis Guzmán's El águila y la serpiente -- Soldierly honor and Mexicanness in Rafael F. Muñoz's Vámonos con Pancho Villa! -- The battle for Pancho Villa during Cardenismo, 1935-1940 -- Villismo's legacy.
520 _aThe 1910 Mexican Revolution saw Francisco "Pancho" Villa grow from social bandit to famed revolutionary leader. Although his rise to national prominence was short-lived, he and his followers (the villistas) inspired deep feelings of pride and power amongst the rural poor. After the Revolution (and Villa' ultimate defeat and death), the new ruling elite, resentful of his enormous popularity, marginalized and discounted him and his followers as uncivilized savages. Hence, it was in the realm of culture rather than politics that his true legacy would be debated and shaped.Mexican literature following the Revolution created an enduring image of Villa and his followers. Writing Pancho Villa' Revolution focuses on the novels, chronicles, and testimonials written from 1925 to 1940 that narrated Villa' grassroots insurgency and celebrated-or condemned-his charismatic leadership. By focusing on works by urban writers Mariano Azuela (Los de abajo) and Martín Luis Guzmán (El águila y la serpiente), as well as works closer to the violent tradition of northern Mexican frontier life by Nellie Campobello (Cartucho), Celia Herrera (Villa ante la historia), and Rafael F. Muñoz (¡Vámonos con Pancho Villa!), this book examines the alternative views of the revolution and of the villistas. Max Parra studies how these works articulate different and at times competing views about class and the cultural "otherness" of the rebellious masses. This unique revisionist study of the villista novel also offers a deeper look into the process of how a nation' collective identity is formed.
600 1 0 _aVilla, Pancho
_d, 1878-1923
_x--In literature
650 0 _aMexican prose literature
_y--20th century
_x--History and criticism
651 _aMexico
_x-History
_y-Revolution, 1910-1920
942 _cLAS
999 _c240285
_d240285