000 | 02061cam a2200265 a 4500 | ||
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001 | 028099 | ||
005 | 20231009192529.0 | ||
008 | 120113s1989 nyuaf 000 1aeng | ||
010 | _a89012147 | ||
020 | _a9780688103828 | ||
050 | 0 | 0 |
_aPR6013.O2 _bH68 1989 |
051 |
_aPR6013.O2 _bH68 1989 Copy 2 _cAnother copy. In dust jacket. CIP, Sept. 18, 1989. |
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082 | 0 | 0 | _a92 GOD |
100 | 1 |
_aGodden, Rumer _d, 1907-1998 |
|
245 | 1 | 2 |
_aA house with four rooms _c/ Rumer Godden |
250 | _a1st Quill ed. | ||
260 |
_aNew York _b: Morrow _c, c1989. |
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300 |
_a319 p., [16] p. of plates _b: ill. _c; 24 cm. |
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500 | _aThe 2nd volume of the author's memoirs begun with A time to dance, no time to weep. | ||
520 | _aIn her second volume of memoirs, following a A Time to Dance, No Time to Weep , Godden provides a lively, engaging view of postwar literary and publishing trends as a backdrop to her own personal and creative development. In 1945, her marriage over, she returned home to England from India with two children and few possessions; however, with an unwavering commitment to her writing, she embarked on a career which brought international recognition and acclaim for her adult and children's books. She speaks lovingly of those who encouraged her over the years, including her sister Jon, London agent Spencer Curtis Brown, Viking publishing president Ben Huebsch (her ``literary father''), and the late James Haynes-Dixon, with whom she enjoyed a sturdy second marriage. She also recounts in colorful detail her collaboration with French director Jean Renoir during the filming of her novel The River in California and on location in India. We part company with her in the late 1970s as she moves to Scotland. Godden's travels and experiences are related with warmth and insight, and she offers an interesting perspective on the major publishing figures of our time. | ||
600 | 1 | 0 |
_aGodden, Rumer _d, 1907-1998 |
650 | 4 |
_aNovelists, English _y-20th century _x-Biography |
|
650 |
_aWomen novelists, English _v--Biography |
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942 | _cMO | ||
999 |
_c240872 _d240872 |