| 000 | 01556nam a2200241 a 4500 | ||
|---|---|---|---|
| 001 | 034541 | ||
| 005 | 20231009192621.0 | ||
| 008 | 220322s19881988nyca 000 u eng d | ||
| 020 | _a0933642121 | ||
| 082 | 1 |
_a779 MAS _2 |
|
| 245 | 1 | 4 |
_aMaster photographs _b: master photographs from PFA exhibitions 1959-67 _c/ Introduction by Cornell Capa |
| 260 |
_aNew York _b: International Center of PhotographY _c, 1988 |
||
| 300 |
_a168 p. _b: illus. _c; 32 cm |
||
| 500 | _aPublished in conjunction with the exhibition, "Master photographs from 'Photography in the Fine Arts' exhibitions, 1959-67," organized by the International Center of Photography. | ||
| 500 | _aIncludes index | ||
| 505 | 0 | 0 | _aThe Saturday review and 'Photography in the fine arts' / Norman Cousins -- Ivan Dmitri's dream: a juror's view of PFA / Evan H. Turner -- Ivan Dmitri and the history of PFA / Miles Barth -- PFA and its controversy / Naomi N. Rosenblum -- The photographs. |
| 520 | _aThe photographs in this book are divided into three groups. The "illustrative" pieces, drawn from popular magazines such as Life and Look, reflect those magazines' emphasis on eye-catching color and celebrities. The "documentary" photos, visual equivalents of dog bites man, offer photojournalism's emphasis on dramatic action. Finally, the "expressive" shots offer the self-consciously "art" photography of Ansel Adams, Elliot Porter, and others. | ||
| 546 | _aEnglish | ||
| 650 | 4 |
_aPhotography, artistic _x-Exhibitions |
|
| 700 | 1 | _aCapa, Cornell | |
| 942 | _cMO | ||
| 999 |
_c244684 _d244684 |
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