000 | 01054nam a2200253 a 4500 | ||
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001 | 035376 | ||
005 | 20231009192626.0 | ||
008 | 211123s20052005usaa 000 0 eng d | ||
020 | _a9783822841525 | ||
050 | 0 | 0 |
_aPE1075 _b.B27 |
082 | 1 |
_a759.5 DEC _2 |
|
100 | 1 | _aHolzhey, Magdalena | |
245 | 0 | 0 |
_aGiorgio de Chirico, 1888-1978 _b: the modern myth _c/ Magdalena Holzhey |
260 |
_aLos Angeles _b: Taschen _c, 2005. |
||
300 |
_a96 p. _b: illus. _c; 23 cm. |
||
504 | _aBibliography included | ||
520 | _aGiorgio De Chirico's paintings during the teens caused such a stir that Picasso and Paul Eluard immediately praised them. After 1930, he turned to a more classical style of painting and continued in the same vein for the rest of his career; his later work was widely criticized, especially by the Surrealists who had so admired his early paintings. | ||
546 | _aEnglish | ||
600 | 1 | 4 | _aDe Chirico, Giorgio, 1888-1978 |
650 | 4 | _aCriticism and interpretation | |
650 | 4 |
_aPainter _z-Italian |
|
942 | _cMO | ||
999 |
_c245078 _d245078 |