000			01574cam a2200205 a 4500
001			036630
005			20231009192636.0
008			110714s1991 mau 000 0 eng
010			_a90028173
020			_a9780395585696
050	0	0	_aPS3558.U288 _bN48 1991
082	0	0	_a811 HUD
100	1		_aHudgins, Andrew
245	1	4	_aThe never-ending _b: new poems _c/ by Andrew Hudgins
260			_aBoston _b: Houghton Mifflin _c, 1991.
300			_ax, 67 p. _c; 22 cm.
520			_aThe subjects of Hudgins's third collection vary widely, including the death of Christ, the demise of a love affair in a cellar, and compost. Hudgins weaves together poems on four themes: nature, religion, his family, and, of course, that old standby, love. The poems lock together and form a sort of jigsaw abstract of life. Hudgins's main strength is his ability to cut to the core of a subject with a deep emotional intensity, then circle around and attack it from another angle, as in ``Praying Drunk,'' and ``Heat Lightining in a Time of Drought.'' The poems are blessed with startling imagery: deer are ``enormous rats on stilts;'' sirens are ``lullabies/ they sound like making love.'' In one ``prayer'' poem, Hudgins speaks in slang to God; he tells God he hears from an old girlfriend, then asks, ``Do you?'' It's surprisingly effective. In one poem he writes with humor, although as he says, ``This is my favorite sin, despair.'' As Hudgins spins his tales, you want to follow him into ``the starting over. And then the never-ending.''
650		4	_aPoetry, American
942			_cMO
999			_c245817 _d245817