000 02210cam a22002658a 4500
001 037546
005 20231009192643.0
008 110218s2011 nyu b 001 0 eng
010 _a2011007209
020 _a9780393076523
042 _apcc
050 0 0 _aML3508
_b.L39 2011
082 0 0 _a784.5 LAU
100 1 _aLauterbach, Preston
245 1 4 _aThe chitlin' circuit
_b: and the road to rock 'n' roll
_c/ Preston Lauterbach
250 _a1st ed.
260 _aNew York
_b: W. W. Norton & Company
_c, c2011.
300 _a338 p.
_c; 25 cm.
504 _aIncludes bibliographical references and index.
505 0 _aA hundred dollars crooked -- The midget maestro -- The stroll -- Sunset -- Rock and stomp opus -- The loser goes to the hospital, the winner goes to jail -- The bronze peacock -- The gate swings -- 'Tween the Tip In Inn and the Church of God -- Roy Brown's good rockin' revival -- Female trouble -- All part of the game -- A little like going to heaven -- Crossover -- Shootin' and cuttin' and shit -- The hardest-working man in show busines.
520 _aA definitive account of the birth of rock 'n' roll in black America, this book establishes the Chitlin' Circuit as a major force in American musical history. Combining terrific firsthand reporting with deep historical research, Preston Lauterbach uncovers characters like Chicago Defender columnist Walter Barnes, who pioneered the circuit in the 1930s, and larger-than-life promoters such as Denver Ferguson, the Indianapolis gambling chieftain who consolidated it in the 1940s. Charging from Memphis to Houston and now-obscure points in between, The Chitlin' Circuit brings us into the sweaty back rooms where such stars as James Brown, B. B. King, and Little Richard got their start. With his unforgettable portraits of unsung heroes including King Kolax, Sax Kari, and Clarence "Gatemouth" Brown, Lauterbach writes of a world of clubs and con men that has managed to avoid much examination despite its wealth of brash characters, intriguing plotlines, and vulgar glory, and gives us an excavation of an underground musical America.
650 4 _aJazz
_x-History and criticism
650 0 _aJazz musicians
942 _cMO
999 _c246355
_d246355