000 | 02400nam a2200241 a 4500 | ||
---|---|---|---|
001 | 037857 | ||
005 | 20231009192645.0 | ||
008 | 170316s20162016nyca 000 u eng d | ||
020 | _a9780374167301 | ||
082 | 1 |
_a92 DEQ _2 |
|
100 | 1 |
_aWilson, Frances _d(1964 -) |
|
245 | 1 | 0 |
_aGuilty thing : _ba life of Thomas De Quincey _c/ Frances Wilson |
260 |
_aNew York _b: Farrar, Straus and Giroux _c, 2016 |
||
300 |
_a397 p. _b: illus. _c; 24 cm. |
||
504 | _aIncludes bibliographical references and index | ||
505 | 0 | 0 | _aThe prelude -- Books -- Childhood and schooltime -- Schooltime (continued) -- Residence in London -- Summer vacation -- Residence at Oxford -- Retrospect: love of nature leading to love of mankind -- Home at Grasmere -- Residence in Dove Cottage and the revolution -- Residence in London and Grasmere -- The recluse -- Imagination, impaired and restored -- Same subject (continued) -- Postscript. |
520 | _aThomas De Quincey was an obsessive. He was obsessed with Wordsworth and Coleridge, whose Lyrical Ballads provided the script to his life, and by the idea of sudden death. Running away from school to pursue the two poets, De Quincey insinuated himself into their world. Basing his sensibility on Wordsworth's and his character on Coleridge's, he forged a triangle of unusual psychological complexity. Aged twenty-four, De Quincey replaced Wordsworth as the tenant of Dove Cottage, the poet's former residence in Grasmere. In this idyllic spot he followed the reports of the notorious Ratcliffe Highway murders of 1811, when two families, including a baby, were butchered in their own homes. In his opium-soaked imagination the murderer became a poet while the poet became a murderer. Embedded in On Murder as One of the Fine Arts , De Quincey's brilliant series of essays, Frances Wilson finds the startling story of his relationships with Wordsworth and Coleridge. Opium was the making of De Quincey, allowing him to dissolve self-conflict, eliminate self-recrimination, and divest himself of guilt. Opium also allowed him to write, and under the pseudonym "The Opium-Eater" De Quincey emerged as the strangest and most original journalist of his age. His influence has been considerable. | ||
546 | _aEnglish. | ||
600 | 1 | 4 |
_aDe Quincey, Thomas _d(, 1785-1859) |
650 | 4 |
_aAuthors, English _y-19th century _v--Biography |
|
942 | _cMO | ||
999 |
_c246532 _d246532 |