| 000 | 01176nam a2200229 a 4500 | ||
|---|---|---|---|
| 001 | 038952 | ||
| 005 | 20231009192653.0 | ||
| 008 | 210831s20072007gera 000 u eng d | ||
| 020 | _a9783775718387 | ||
| 050 | 0 | 0 |
_aBT1212 _b.E24 2009 |
| 082 | 1 |
_aREF 709.20 BEC _2 |
|
| 240 | 1 | 0 | _aToller Cranston Collection |
| 245 | 1 | 0 |
_aMax Beckmann _b: Exile in Amsterdam |
| 260 |
_aGermany _b: Hatje Cantz _c, 2007 |
||
| 300 |
_a437 p. _b: illus. _c; 29 cm |
||
| 520 | _aBetween 1937 and 1947, while he was in exile in Amsterdam, the German-born painter Max Beckmann (1884-1950) made approximately a third of the work he would create in his lifetime. When he moved on, it was to accept an appointment as a professor at Washington University in St. Louis. As a body of work, Beckmann's Amsterdam portfolio is not only of great importance in understanding his motivations and methods, and in itself a record of the most productive phase in his life, but also a critical examination of a crucial moment in twentieth-century history. | ||
| 546 | _aEnglish | ||
| 600 | 1 | 4 |
_aBeckmann, Max Carl Friedrich _d(1884 1950) |
| 650 | 4 | _aGerman Painters | |
| 942 | _cMO | ||
| 999 |
_c247179 _d247179 |
||