000			01540nam a2200253 a 4500
001			040577
005			20231009192705.0
008			211123s19931993nyua 000 0 eng d
020			_a9780810932593
050	0	0	_aPE1421 _b.S23 1980
082	1		_a779.02 EVA _2
100	1		_aMora, Gilles
245	1	0	_aWalker Evans : _b the hungry eye _c/ Gilles Mora
260			_aNew York _b: H.N. Abrams _c, 1993
300			_a366 p. _b: illus. _c; 31 cm
505	0	0	_a1927-32: Early abstractions. -- Brooklyn Bridge. -- New York streets. -- Victorian architecture. -- 1932-35: Tahiti. -- Havana. -- African sculpture. -- The deep south. -- Antebellum architecture. -- 1935-38: Farm Security Administration. -- American photographs. -- Let Us Now Praise Famous Men. -- 1938-45: The subway. -- Florida: the Mangrove coast. -- Bridgeport: the war factories. --1945-65: Labor anonymous. -- Chjicago: a camera exploration. -- California beaches. -- Views from the train. -- Beauty of the common tool. -- Aboard the Liberte. -- 1927-75: Signs and graffiti. -- Postcards. -- Trash. -- Color
520			_aBeginning with early abstractions and a project on the Brooklyn Bridge, this book covers the artist's work in New England, Tahiti, Cuba, Florida, and New Orleans, and his involvement with the Farm Security Administration which led to the book Let Us Now Praise Famous Men.
546			_aEnglish
600	1	4	_aEvans, Walker _d(, 1903-1975)
650		4	_aPhotography, artistic
650		4	_aTravel photography
942			_cMO
999			_c248091 _d248091