000 02174nam a2200241 a 4500
001 042270
005 20231009192719.0
008 120427s2011 nyu 000 p eng
010 _a2010030987
020 _a9780307594105
042 _apcc
050 0 0 _aPS3566.I4
_bH86 2011
082 0 0 _a811.54 PIE
100 1 _aPiercy, Marge
245 1 4 _aThe hunger moon
_b: new and selected poems, 1980-2010
_c/ Marge Piercy
250 _a1st ed.
260 _aNew York
_b: Alfred A. Knopf
_c, 2011.
300 _axvii, 327 p.
_c; 25 cm.
505 0 0 _gFrom
_t. Stone, paper, knife --
_gfrom
_t. My mother's body --
_gfrom
_t. Available light --
_gfrom
_t. Mars and her children --
_gfrom
_t. What are big girls made of? --
_gfrom
_t. Early grrrl --
_gfrom
_t. The art of blessing the day --
_gfrom
_t. Colors passing through us --
_gfrom
_t. The crooked inheritance --
_t. Some new poems.
520 _aThis new gathering of Marge Piercy’s poems-funny, angry, in awe of life, compassionate-brings us the heart of her mature work, the first selected since Circles on the Water in 1982. Here, poems chart the milestone events and fierce passions of the poet’s middle years, her Judaism, her deep connection with nature, her politics. There is the death of her mother, whom we meet as a young woman, "Awkwardly lovely, her face / pure as a single trill perfectly / prolonged on a violin." She celebrates her new marriage not only for its romantic beginning, but for its quieter details: "Love cherishes too the back pockets, / the pencil ends of childhood fears." In every poem we hear the current of her convictions, which she declares in language unmistakably and colorfully her own, as when she encourages her readers to go to the opera instead of the movies because "the heroine is fifty and weighs as much as a ’65 Chevy with fins." And, in several poems, bearing the loss of people and time, she begins to examine her own legacy: " I have worn the faces, the masks of hieroglyphs, gods and demons, bat faced ghosts, sibyls and thieves, lover, loser, red rose and ragweed, these are the tracks I have left on the white crust of time."
650 4 _aPoetry, American
942 _cMO
999 _c249116
_d249116