000 | 01640nam a2200229 a 4500 | ||
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001 | 042764 | ||
005 | 20231009192723.0 | ||
008 | 230615s20061946nyc 000 1 eng d | ||
020 | _a9781590171813 | ||
082 | 1 |
_aFIC FEA _2 |
|
100 | 1 |
_aFearing, Kenneth _d(, 1902-1961) |
|
245 | 1 | 0 |
_aThe big clock _c/ Kenneth Fearing |
260 |
_aNew York _b: New York Review Books _c, 2006, c1946 |
||
300 |
_a175 p. _c; 21 cm |
||
520 | _aGeorge Stroud is a hard-drinking, tough-talking, none-too-scrupulous writer for a New York media conglomerate that bears a striking resemblance to Time, Inc., in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment. Janoth knows there was one witness to his entry into Pauline's apartment on the night of the murder; he knows that man must have been the man Pualine was with before he got back; but he doens't know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else? How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir. | ||
546 | _aEnglish | ||
650 | 4 |
_aOrganized crime _x-Fiction |
|
650 | 4 |
_aWitnesses _x-Fiction |
|
650 |
_aWomen _x-Crimes against _x-Fiction |
||
942 | _cMO | ||
999 |
_c249446 _d249446 |