| 000 | 01144nam a2200241 a 4500 | ||
|---|---|---|---|
| 001 | 047799 | ||
| 005 | 20231009192931.0 | ||
| 008 | 210622s19951995nyca 000 u eng d | ||
| 020 | _a9780500236871 | ||
| 050 | 0 | 0 |
_aF802.S35 _bD445 2007 |
| 082 | 1 |
_a709.73 TAS _2 |
|
| 100 | 1 | _aTashjian, Dickran | |
| 245 | 1 | 4 |
_aA boatload of madmen _b: surrealism and the American avant-garde, 1920-1950 _c/ Dickran Tashjian |
| 260 |
_aNew York _b: Thames and Hudson _c, 1995 |
||
| 300 |
_a424 p. _b: illus. _c; 24 cm |
||
| 520 | _aArt history professor Tashjian reassesses the impact of surrealism on an emerging American avant-garde and on American culture in this intensive study. He focuses on three American artists - Jackson Pollock, Joseph Cornell and self-styled "Armenian in exile'' Arshile Gorky - who transformed surrealist esthetics in their separate quests for artistic identity. Tashjian also charts the dilution of surrealism in American advertising, fashion and the mass media. | ||
| 546 | _aEnglish | ||
| 650 | 4 |
_aArts, American _x-20th century |
|
| 650 | 4 | _aSurrealism | |
| 651 | 4 | _aUnited States | |
| 942 | _cMO | ||
| 999 |
_c252617 _d252617 |
||