000			01522nam a22002654a 4500
001			12587590
003			BSMA
005			20240321121023.0
008			240321s2002 nyua b 001 ubeng d
020			_a9780810963979
040			_cDLC
082	0	0	_aREF 759.13 PUT _221
100	1		_aNaumann, Francis M.
245	1	0	_aWallace Putnam 1899-1989 / _cFrancis M. Naumann
260			_aNew York : _bH.N. Abrams, _c2002
300			_a335 p. : _billus. ; _c31 cm
504			_aIncludes bibliographical references (p. 322-323) and index.
505	0		_aI am an artist (1899-1925) -- Manhattan manners (1925-1935) -- Crisis series (1935-1940) -- Icehouse (1940-1950) -- Meaning of art (1950-1960) -- Missing link between Avery and Rothko (1960-1970) -- Post-abstract expressionist -- Realism (1970-1980) -- Yes to life (1980-1989).
520			_aWallace Putnam burst upon the New York art scene in 1936 with a large assemblage provocatively entitled Agog, prominently displayed in the entranceway to a major exhibition of Dadaist and Surrealist art at The Museum of Modern Art. Though he went on to create a highly innovative body of work that was shown in major museums, Putnam remains underappreciated, deserving of the reassessment that this first study of his art will stimulate. Putnam's work is largely figurative, with elements of abstraction.
546			_aEnglish
600	1	0	_aPutnam, Wallace, _d1899-1989
650		0	_aPainters _zUnited States _vBiography
700	1		_aAmadeus, Kristina U.
942			_2ddc _cMO
999			_c253198 _d253198