000			03007nam a2200313 a 4500
001			049684
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008			130606t20021999maua b 001 0 eng
010			_a99027615
020			_a9780674008021
050	0	0	_aPT2603.E455 _bP33513 1999
082	0	0	_a944.36 BEN
100	1		_aBenjamin, Walter _d, 1892-1940
240	1	0	_aPassagen-Werk _l. English
245	1	4	_aThe arcades project _c/ Walter Benjamin ; translated by Howard Eiland and Kevin McLaughlin ; prepared on the basis of the German volume edited by Rolf Tiedemann
250			_aFirst Harvard University Press paperback edition
260			_aCambridge, Mass. _b: Belknap Press _c, 2002, c1999.
300			_axiv, 1073 p. _b: ills. _c; 26 cm.
504			_aIncludes bibliographical references (p. [955]-1015) and index.
505			_aExposés. "Paris, the capital of the nineteenth century" (1935) ; "Paris, capital of the nineteenth century" (1939) -- Convolutes. Overview -- First sketches -- Early drafts. "Arcades" ; "The arcades of Paris" ; "The Ring of Saturn" -- Addenda. Exposé of 1935, early version ; Materials for the Exposé of 1935 ; Materials for "Arcades" -- "Dialectics at a standstill" / Rolf Tiedemann -- "The story of Old Benjamin" / Lisa Fittko.
520			_aConceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk ) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age. The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things. Descriptive content provided by Syndetics™, a Bowker service.
650		4	_aArcades _z--France _z--Paris _x--History _y--19th century
650		4	_aArchitecture and society
651		4	_aParis (France) _x--Social life and customs _y--19th century
700	1		_aTiedemann, Rolf
700	0		_aEiland, Howard
700	0		_aMcLaughlin, Kevin
942			_cMO
999			_c253852 _d253852