000 02151n m a2200181 a 4500
001 050343
005 20231009192954.0
008 070413t19961996--------------000-u-eng-u
020 _a0-670-87007-2
082 0 _aFIC TRE
100 1 _aTrevor, William
_d(, 1928-2016)
245 1 0 _aAfter rain
_c/ William Trevor
260 _aNew York
_b: Viking Penguin
_c, c1996.
300 _a213 p
_c; 23 cm.
500 _a There are few contemporary writers who can match the quiet dignity with which Trevor embues his writing, or his command of the short story form. After last year's remarkable novel, Felicia's Journey, he returns here to more mundane lives. These 12 tales stay well within the bounds of conventional storytelling: there are no fractured narratives or disjointed memories delivered solely for effect. Instead, each of these stories pursues a classic but effective structure: a thinly held equilibrium is disturbed, leading first to a general collapse, then to an emotional plateau in which something vital has changed. In "A Friendship," Francesca, an unhappy housewife, begins an affair with an old acquaintance. The liaison does not lead to the expected dissolution of her marriage but, instead, to a loss of another part of her life. In "The Potato Dealer," an unplanned pregnancy forces a young woman into a marriage of convenience with a middle-aged potato trader. Though never loving, the union achieves a type of friendship; a friendship that is then irrevocably broken by the revelation of secrets. The domestic vein of most of these stories is epitomized by "The Piano Tuner's Wives," in which a second marriage's competition with the first is handled with lyricism and a haunting simplicity, and by "Marrying Damian," in which a couple must struggle to accept their daughter's love affair with their friend, a middle-aged roustabout. Politics, too, finds its way into current lives. In "Lost Ground," the collection's longest tale, the troubles in Northern Ireland provide the impetus for a young boy's tragic death. Each of these stories is rendered with Trevor's characteristic economy.
655 7 _aShort stories
942 _cMO
999 _c254304
_d254304