000			02004nam a2200289 a 4500
001			054229
005			20231009193026.0
008			120605s1992 nyua bc 000 0 eng
010			_a93109212
020			_a0892070951
050	0	0	_aN6988 _b.G7413 1992
082	0	0	_aREF 709.47 GRE
130	0		_aGrosse Utopie _l. English.
245	1	4	_aThe great utopia _b: the Russian and Soviet avant-garde, 1915-1932 _c/ Solomon R. Guggenheim Museum ... [et al.]
260			_aNew York _b: Guggenheim Museum _b: Distributed by Rizzoli International Publications _c, c1992.
300			_axv, 732 p. _b: ill. (some col.) _c; 32 cm.
500			_aMany contributions translated from Russian; one contribution translated from German.
500			_aCatalog of an exhibition held at the Schirn Kunsthalle Frankfurt, Mar. 1-May 10, 1992; Stedelijk Museum Amsterdam, June 5-Aug. 23, 1992, and the Solomon R. Guggenheim Museum, Sept. 25-Dec. 15, 1992.
504			_aIncludes bibliographical references and index.
520			_aWith reproductions of over 700 works of art representing a dramatic expansion in the study of Russian and Soviet Modernism, this commemoration-on-a-grand-scale goes well beyond a mere rehashing of the Suprematist wedges and squares painted by Kazimir Malevich. Leaving no art historical stone unturned, this book demonstrates how thoroughly this aesthetic revolution placed all varieties of artistic expression in the service of social goals. Among the many fascinating examples here are the manifestations of the era's Constructivist/Suprematist sensibilities within more proletarian media such as costume, book, porcelain, and textile design. Groupings of excellent reproductions separate the scholarly and theoretical essays.
650		0	_aArt, Russian _y--20th century _v--Exhibitions
650		0	_aAvant-garde (Aesthetics)
710	2		_aSolomon R. Guggenheim Museum
710	2		_aSchirn Kunsthalle Frankfurt
710	1		_aAmsterdam (Netherlands) _b. Stedelijk Museum
942			_cMO
999			_c256774 _d256774