000 | 01720nam a2200265 a 4500 | ||
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001 | 064296 | ||
005 | 20231009193147.0 | ||
008 | 150811s20112011usaa 000 f eng | ||
020 | _a9781566892742 | ||
050 | 0 | 0 |
_aPS3612.E68 _bL43 2011 |
082 | 1 |
_aFIC LER _2 |
|
100 | 1 | _aLerner, Ben, 1979- | |
245 | 1 | 0 |
_aLeaving the Atocha Station : _ba novel _c/ Ben Lerner. |
260 |
_aMinneapolis _b: Coffee House Press _c, 2011. |
||
300 |
_a181 p. _b: ill. _c; 21 cm. |
||
520 | 3 | _aAdam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. | |
546 | _aEnglish. | ||
650 | 4 |
_aPoets _v--Fiction |
|
650 | 4 |
_aAmericans _z-Spain _v--Fiction |
|
650 | 4 |
_aSelf-realization _v--Fiction |
|
650 | 4 |
_aArt and literature _v--Fiction |
|
651 | 4 |
_aMadrid (Spain) _v--Fiction |
|
942 | _cMO | ||
999 |
_c262796 _d262796 |