000 02537cam a2200241 a 4500
001 022433
005 20231009193341.0
008 080417s2007 nyuaf bk 001 0 eng
010 _a 2007004504
020 _a9780374249397
082 0 0 _a780.904 ROS
100 1 _aRoss, Alex, 1968-
245 1 4 _aThe rest is noise :
_blistening to the twentieth century
_c/ Alex Ross
250 _a1st ed
260 _aNew York
_b: Farrar, Straus and Giroux
_c, 2007.
300 _axiv, 624 p., [8] p. of plates
_b: ill.
_c; 24 cm.
504 _aIncludes bibliographical references (p. [545]-593) and index.
504 _aIncludes discography: p. [595].
505 0 _a1900-1933. The golden age : Strauss, Mahler, and the fin de siècle ; Doctor Faust : Schoenberg, Debussy, and atonality ; Dance of the earth : the Rite, the folk, le jazz ; Invisible men : American composers from Ives to Ellington ; Apparition from the woods : the loneliness of Jean Sibelius ; City of nets : Berlin in the twenties -- 1933-1945. The art of fear : music in Stalin's Russia ; Music for all : music in FDR's America ; Death fugue : music in Hitler's Germany -- 1945-2000. Zero hour : the U.S. army and German music, 1945-1949 ; Brave new world : the Cold War and the avant-garde of the fifties ; "Grimes! Grimes!" : the passion of Benjamin Britten ; Zion park : Messiaen, Ligeti, and the avant-garde of the sixties ; Beethoven was wrong : bop, rock, and the minimalists ; Sunken cathedrals : music at century's end.
520 _aThe scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Music critic Alex Ross shines a bright light on this secret world, taking us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of new technologies, of hot and cold wars, of experiments, revolutions, and riots. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.--From publisher description.
650 0 _aMusic
_x-History and criticism
_z-20th century
942 _cMO
999 _c267094
_d267094