000 | 01396nam a2200229 a 4500 | ||
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001 | 031007 | ||
005 | 20231009193416.0 | ||
008 | 120807s1987 nyu 000 0 eng | ||
010 | _a86045511 | ||
020 | _a9780394747705 | ||
050 | 0 | 0 |
_aPS3565.L34 _bG6 1987 |
082 | 0 | 0 | _a811.54 OLD |
100 | 1 | _aOlds, Sharon | |
245 | 1 | 4 |
_aThe gold cell _b: poems _c/ by Sharon Olds |
250 | _a1st ed. | ||
260 |
_aNew York _b: Knopf _b: Distributed by Random House _c, 1987. |
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300 |
_aix, 91 p. _c; 22 cm. |
||
490 | 0 |
_aThe Knopf poetry series _v; 25 |
|
520 | _aBeneath the surface of life Olds discovers ``what all of us want never to know''her own sexuality. Her obsessive descriptions of sex are too candid to be erotic: ``the condom/ripped and the seed tore into me like a/ flame.'' With evocative imagery (``We think about bones twisted like white/ saplings''), Olds searches through ``all the eloquence of the body'' for the means to assess her roles as daughter, lover, wife, mother, and woman. Despite a too-easy solipsism (``I looked at you and I tell you I knew you were God/ and I was God''), the best poetry occurs when Olds presents moments of awakening as though they had just happened--her baby's arms ``bent like a crab's rosy legs, the/ thighs closely-packed plums in heavy syrup.'' For poet and reader such moments are purifying. | ||
650 | 4 | _aPoetry, American | |
942 | _cMO | ||
999 |
_c269808 _d269808 |