000 | 01717nam a2200253 a 4500 | ||
---|---|---|---|
001 | 067343 | ||
005 | 20231009193437.0 | ||
008 | 130711s2003 nyu 000 1 eng | ||
010 | _a2004275478 | ||
020 | _a9781400041411 | ||
050 | 0 | 0 |
_aPR6060.A467 _bM87 2003b |
082 | 0 | 0 | _aMYS JAM |
100 | 1 |
_aJames, P. D. _q(Phyllis Dorothy) _d(1920-2014) |
|
245 | 1 | 4 |
_aThe murder room _c/ P.D. James. |
250 | _a1st American ed. | ||
260 |
_aNew York _b: A.A. Knopf _c, 2003. |
||
300 |
_a415 p. _c; 25 cm. |
||
520 | _aJames's latest mystery revolves around a small private London museum whose trustees are embroiled in a bitter dispute over whether it should be closed. When Neville Dupayne, the trustee in favor of closure, is brutally murdered in a manner reminiscent of one of the notorious historical crimes featured in the museum's Murder Room, Commander Adam Dalgliesh and his team are called to investigate. This is soon followed by a second killing. At the same time, the long-widowed Dalgliesh is struggling to come to terms with his growing feelings for Cambridge professor Emma Lavenham (who first appeared in Death in Holy Orders). Will his love life finally be resolved? In what might be the swan song for the octogenarian Baroness James and her brilliant but aloof poet/detective, The Murder Room features all the usual Jamesian elements: the cool, measured prose, the fully fleshed, morally complex characters, the shocking, eerie crimes, and the detailed plot littered with clever red herrings. | ||
650 | 0 |
_aDalgliesh, Adam (Fictitious character) _x--Fiction |
|
650 | 0 |
_aPolice _z--England _y--London _x--Fiction |
|
650 | 0 | _aMuseums | |
651 |
_aLondon (England) _v--Fiction |
||
942 | _cMO | ||
999 |
_c271403 _d271403 |