000 | 01657n a2200289 a 4500 | ||
---|---|---|---|
001 | 036859 | ||
005 | 20231009193453.0 | ||
008 | 140701r20061995nyu 000 1 eng d | ||
010 | _a2006272446 | ||
020 | _a9780385339223 | ||
042 | _alccopycat | ||
050 | 0 | 0 |
_aPR6057.O33 _bB67 2006 |
082 | 0 | 0 | _aMYS GOD |
100 | 1 | _aGoddard, Robert | |
245 | 1 | 0 |
_aBorrowed time _c/ Robert Goddard. |
250 | _aDelta trade pbk. ed. | ||
260 |
_aNew York _b: Delta Trade Paperbacks _c, 2006. |
||
300 |
_ax, 397, [21] p. _c; 23 cm. |
||
520 | _aLong ago, Agatha Christie's The Murder of Roger Ackroyd (1926) totally hoodwinked this reviewer, who has since been suspicious of any mystery written in the first person. This distrust was intensified by Nicholas Farrell's seemingly innocent interpretation of Robin Timariot, the protagonist of Borrowed Time. Is he the honest, ingenuous Englishman he seems? Or is he capable of complex lies, rape, and murder? Farrell's outstanding reading is as ambiguous as the story is layered. Initially, his neutral tones introduce a colorless, joyless government employee. Yet Timariot meets a lovely woman on the evening of her murder, and his emotions are stirred by her beauty and, later, by horror at hearing of her rape and murder. Even though he is unable to adequately explain his obsession with the dead woman and her family, his subsequent involvement in their lives brings some meaning to his. | ||
650 |
_aMurder _v--Fiction |
||
650 | 0 |
_aBusinessmen _x--Fiction |
|
651 | 4 |
_aWales _x--Fiction |
|
651 |
_aEngland _v--Fiction |
||
655 | 7 | _aSuspense fiction | |
655 | 7 | _aMystery fiction | |
942 | _cMO | ||
999 |
_c272523 _d272523 |