Miss Anne in Harlem : the white women of the black Renaissance / Carla Kaplan

By: Material type: TextTextPublication details: New York : HarperCollins Publishers , 2013Description: 505 p. : illus. ; 24 cmSubject(s): DDC classification:
  • 700.9239 KAP
Contents:
"A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of MIss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences."
Summary: This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
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Includes bibliographical references and index

"A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of MIss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences."

This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.

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