Edward Hopper / Maria Costantino
Material type: TextPublication details: New York : Barnes & Noble , 1995Description: 128 p. : illus. ; 33 cmISBN:- 9781566196598
- 959.13 HOP
Item type | Current library | Call number | Status | Date due | Barcode |
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Libro - Monografía | Biblioteca Pública de San Miguel de Allende, A.C. Sala Ingles | 959.13 HOP (Browse shelf(Opens below)) | Available | 040238 |
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956.9405 BLU Goliath : life and loathing in greater Israel | 958.1 DAL The return of a king : the battle for Afghanistan, 1839 - 42 | 958.1 SMI The dogs are eating them now : our war in Afghanistan | 959.13 HOP Edward Hopper | 959.4 LIE Painters in Paris, 1895 - 1950 | 962 BRA Inside Egypt : the land of the Pharaohs on the brink of a revolution | 965.04 CAM Algerian chronicles |
Edward Hopper was one of the finest American Scene painters in the Realist tradition. His passion was to portray "typical America"; his city- and landscapes are vivid reflections of the then contemporary American life. Several of his paintings, such as House by the Railroad (1925), Early Sunday Morning (1930), and Nighthawks (1942), have become icons of modern American art. They depict the loneliness, anonymity, and lack of variety in the daily life of ordinary people. Edward Hopper: Portraits of America examines the apparent dichotomy within Hopper's oeuvre. On the one hand, his compositions depict deserted small towns or solitary figures in empty offices, desolate houses, or hotel rooms. On the other hand, Hopper painted the landscape of New England, where he spent almost every summer with his wife Jo, as bright and tranquil. He seemed to analyze the psychological restrictions and isolation of everyday life as well as the joy and freedom of vacation. This volume superbly illustrates this dichotomy with full-color reproductions of many of Hopper's most famous compositions. It shows how, by linking fiction and reality, concealment and revelation, Hopper's images evoke an enigmatic uncertainty, which is both mystifying and fascinating.
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